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Date : 2017-03-28
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Josef Albers Midnight and Noon Josef Albers ~ The pairing of two palettes—black white and grey and an array of yellows—stems in part from Albers’s 1964 series of lithographs Midnight and Noon which brought together these two opposing color sets in a single portfolio Together they address the limitless possibilities the artist found in color and form in relation to light
David Zwirner Books · Josef Albers Midnight and Noon ~ The impossible simultaneity of “midnight” and “noon” moreover speaks to Albers’s transcending of what he called “factual facts” in favor of the play of perception and illusion possible in art
Josef Albers Midnight and Noon by Josef Albers ~ Josef Albers book Read reviews from world’s largest community for readers Using minimal means—paint straight from the tube applied meticulously with
Josef Albers Midnight and Noon Albers by Design ~ Albers by Design Josef Albers Midnight and Noon 5500 Highlighting the rich diversity of effects Josef Albers drew from a narrow range of colors this publication centers around the groundbreaking Homage to the Square A 1950 the inaugural painting in the series that would occupy the artist until his death in 1976
Josef Albers midnight and noon Book 2016 ~ The pairing of two palettesblack white and grey and an array of yellowsstems in part from Alberss 1964 series of lithographs Midnight and Noon which brought together these two opposing color sets in a single portfolio Together they address the limitless possibilities the artist found in color and form in relation to light
Josef Albers Midnight and Noon 1964 MoMA ~ Josef Albers Midnight and Noon 1964 Portfolio of eight lithographs composition each approx 15 34 x 15 34 40 x 40 cm sheet each approx 18 78 × 20 12 479 × 52 cm Tamarind Lithography Workshop Los Angeles Tamarind Lithography Workshop Inc Los Angeles 20
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Homage to Josef Albers Writers Pay Tribute to a Pioneer ~ Josef Albers Midnight and Noon “Every color every form should speak with its own voice” Albers explained in relation to the work he was more or less obsessed with from 1949 until his death
Josef Albers Midnight and Noon Distributed Art Publishers ~ Josef Albers Midnight and Noon The aseptic almost militant simplicity of each of Alberss designs is the result of a long series of rejections — an arduous and complicated exercise of the element of choice Elaine de Kooning wrote in ARTnews 1950
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